The body in the castle well / Martin Walker.

By: Walker, Martin, 1947 January 23- [author.]Material type: TextTextSeries: Walker, Martin, Bruno series ; 12.Publisher: London, England : Quercus, 2019Copyright date: ©2019Description: 375 pages : map ; 24 cmContent type: text | cartographic image Media type: unmediated Carrier type: volumeISBN: 9781786485762Subject(s): Courrèges, Bruno (Fictitious character) -- Fiction | Police -- Fiction | Americans -- France -- Fiction | Murder -- Investigation -- Fiction | Art historians -- Fiction | Scholars -- Fiction | Students -- Fiction | Falconers -- FictionGenre/Form: Detective and mystery fiction. DDC classification: 823.92 Summary: A rich American art student is found dead at the bottom of a well in an ancient hilltop castle. The young woman, Claudia, had been working in the archives of an eminent French art historian, a crippled Resistance war hero, at his art-filled chateau. As Claudia's White House connections get the US Embassy and the FBI involved, Bruno traces the people and events that led to her fatal accident - or was it murder? Bruno learns that Claudia had been trying to buy the chateau and art collection of her tutor, even while her researches led her to suspect that some of his attributions may have been forged. This takes Bruno down a trail that leads him from the ruins of Berlin in 1945, to France's colonial war in Algeria. The long arm of French history has reached out to find a new victim, but can Bruno identify the killer - and prove his case?
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F WAL (Browse shelf(Opens below)) Checked out 22/05/2024 AL42000208841B

A rich American art student is found dead at the bottom of a well in an ancient hilltop castle. The young woman, Claudia, had been working in the archives of an eminent French art historian, a crippled Resistance war hero, at his art-filled chateau. As Claudia's White House connections get the US Embassy and the FBI involved, Bruno traces the people and events that led to her fatal accident - or was it murder? Bruno learns that Claudia had been trying to buy the chateau and art collection of her tutor, even while her researches led her to suspect that some of his attributions may have been forged. This takes Bruno down a trail that leads him from the ruins of Berlin in 1945, to France's colonial war in Algeria. The long arm of French history has reached out to find a new victim, but can Bruno identify the killer - and prove his case?

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