Waking the dead / Heather Graham.
Material type:
TextSeries: Graham, Heather. Cafferty & Quinn novel ; Publisher: Don Mills, Ontario : Harlequin MIRA, [2014]Copyright date: ©2014Description: 332 pages ; 25 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780778316121Subject(s): Painting -- Fiction | Good and evil in art -- FictionGenre/Form: Detective and mystery stories. | Suspense fiction. | Romantic suspense fiction. DDC classification: 813.54 Summary: Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case of a painting reputed to come to life--and to bring death. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations. Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art-- and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it-- before it destroys them.
| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| wnor- Book | Northam Northam Adult fiction | F GRA (Browse shelf(Opens below)) | Available | 31111057271064 |
Danielle Cafferty and Michael Quinn, occasional partners in solving crime, are quickly drawn into the case of a painting reputed to come to life--and to bring death. They begin to make connections between that summer in Switzerland and this spring in Louisiana. Danni, the owner of an eccentric antiques shop, and Quinn, a private detective, have discovered that they have separate but complementary talents when it comes to investigating unusual situations. Trying to blend their personal relationship with the professional lives they've stumbled into, they learn how much they need each other. Especially as they confront this work of art-- and evil. The people in the portrait might be dead, but something seems to wake them and free them to commit bloody crimes. Cafferty and Quinn must discover what that is. And they have to destroy it-- before it destroys them.
There are no comments on this title.