And on that bombshell / (Record no. 14409)

MARC details
000 -LEADER
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001 - CONTROL NUMBER
control field 43014641
003 - CONTROL NUMBER IDENTIFIER
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190115012211.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151106s2015 enkafc 000 0 eng d
019 ## -
-- 000056117561
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781409164746 (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1409164748 (pbk.)
040 ## - CATALOGING SOURCE
Original cataloging agency QPPL
Language of cataloging eng
Transcribing agency QPPL
Description conventions rda
Modifying agency WWBK
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-uk---
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1992.77.T657
Item number P67 2015
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4/572
Edition number 23
099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC)
Classification number 791.4572
-- POR
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Porter, Richard,
Dates associated with a name 1975-,
Relator term author.
9 (RLIN) 47239
245 10 - TITLE STATEMENT
Title And on that bombshell /
Statement of responsibility, etc. Richard Porter.
246 34 - VARYING FORM OF TITLE
Title proper/short title And on that bombshell :
Remainder of title inside the madness and genius of Top Gear.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Orion,
Date of production, publication, distribution, manufacture, or copyright notice 2015.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2015.
300 ## - PHYSICAL DESCRIPTION
Extent 294 pages, 24 unnumbered pages of plates :
Other physical details illustrations (chiefly colour), portraits ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
336 ## - CONTENT TYPE
Content type term still image
Content type code sti
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
500 ## - GENERAL NOTE
General note "Inside the madness and genius of Top Gear" -- Cover.
520 ## - SUMMARY, ETC.
Summary, etc. I was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the wilfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take". 'Porter, like Athens, has lost his marbles.' - James May.
630 #0 - SUBJECT ADDED ENTRY--UNIFORM TITLE
Uniform title Top Gear (Television program)
9 (RLIN) 5972
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Automotive journalists
Geographic subdivision Great Britain.
9 (RLIN) 47240
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television personalities
Geographic subdivision Great Britain.
9 (RLIN) 33051
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television programs
General subdivision Production and direction
Form subdivision Anecdotes.
9 (RLIN) 47241
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television programs
Geographic subdivision Great Britain
Form subdivision Anecdotes.
9 (RLIN) 47242
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Television series.
Source of term lcgft.
9 (RLIN) 1951
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Documentary television programs.
Source of term lcgft.
9 (RLIN) 47243
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Nonfiction television programs.
Source of term lcgft.
9 (RLIN) 2020
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902 ## - LOCAL DATA ELEMENT B, LDB (RLIN)
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998 ## - LOCAL CONTROL INFORMATION (RLIN)
Operator's initials, OID (RLIN) 17
Cataloger's initials, CIN (RLIN) 160421
First Date, FD (RLIN) m
-- a
-- -
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945 ## - LOCAL PROCESSING INFORMATION (OCLC)
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Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Full call number Barcode Date last seen Price effective from Koha item type
          Northam Northam Northam Adult Nonfiction 04/09/2019 791.4572 POR 31111065977660 21/03/2022 04/09/2019 wnor- Book