MARC details
000 -LEADER |
fixed length control field |
03311cam a2200493 i 4500 |
001 - CONTROL NUMBER |
control field |
43014641 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
AuCNLKIN |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190115012211.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
ta |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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151106s2015 enkafc 000 0 eng d |
019 ## - |
-- |
000056117561 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781409164746 (pbk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1409164748 (pbk.) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
QPPL |
Language of cataloging |
eng |
Transcribing agency |
QPPL |
Description conventions |
rda |
Modifying agency |
WWBK |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-uk--- |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1992.77.T657 |
Item number |
P67 2015 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.4/572 |
Edition number |
23 |
099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) |
Classification number |
791.4572 |
-- |
POR |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Porter, Richard, |
Dates associated with a name |
1975-, |
Relator term |
author. |
9 (RLIN) |
47239 |
245 10 - TITLE STATEMENT |
Title |
And on that bombshell / |
Statement of responsibility, etc. |
Richard Porter. |
246 34 - VARYING FORM OF TITLE |
Title proper/short title |
And on that bombshell : |
Remainder of title |
inside the madness and genius of Top Gear. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Orion, |
Date of production, publication, distribution, manufacture, or copyright notice |
2015. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2015. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
294 pages, 24 unnumbered pages of plates : |
Other physical details |
illustrations (chiefly colour), portraits ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent. |
336 ## - CONTENT TYPE |
Content type term |
still image |
Content type code |
sti |
Source |
rdacontent. |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia. |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier. |
500 ## - GENERAL NOTE |
General note |
"Inside the madness and genius of Top Gear" -- Cover. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
I was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the wilfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take". 'Porter, like Athens, has lost his marbles.' - James May. |
630 #0 - SUBJECT ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Top Gear (Television program) |
9 (RLIN) |
5972 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Automotive journalists |
Geographic subdivision |
Great Britain. |
9 (RLIN) |
47240 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television personalities |
Geographic subdivision |
Great Britain. |
9 (RLIN) |
33051 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television programs |
General subdivision |
Production and direction |
Form subdivision |
Anecdotes. |
9 (RLIN) |
47241 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television programs |
Geographic subdivision |
Great Britain |
Form subdivision |
Anecdotes. |
9 (RLIN) |
47242 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Television series. |
Source of term |
lcgft. |
9 (RLIN) |
1951 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Documentary television programs. |
Source of term |
lcgft. |
9 (RLIN) |
47243 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Nonfiction television programs. |
Source of term |
lcgft. |
9 (RLIN) |
2020 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
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l |
p |
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902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
180813 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
Operator's initials, OID (RLIN) |
17 |
Cataloger's initials, CIN (RLIN) |
160421 |
First Date, FD (RLIN) |
m |
-- |
a |
-- |
- |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
l |
p4nor |
n |
02-04-2016 sent to p4nor |
i |
31111065977660 |
t |
2 |
p |
$22.19 |
r |
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s |
c |
g |
1 |
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