000 04235cam a2200913 i 4500
999 _c31318
_d31318
001 000057557067
003 AuCNLKIN
005 20220808131510.0
007 ta
008 151001s2016 xna 000 f eng d
015 _aGBB635865
_2bnb
016 7 _a017767536
_2Uk
020 _a9781925266184 (hbk.)
020 _a9781743439951 (pbk)
020 _a1925266184 (hbk.)
020 _a1743439954 (pbk)
035 _a(OCoLC)949756169
040 _aNLE
_beng
_erda
_cNLE
_dOCLCO
_dAUVXC
_dATPTT
_dOCLCO
_dATIGN
_dOCoLC
042 _aanuc
043 _ae-ne---
050 4 _aPS3619.M5815
_bL37 2016
082 0 4 _aA823.4
_223
100 1 _aSmith, Dominic,
_d1971-,
_eauthor.
_988259
245 1 4 _aThe last painting of Sara de Vos /
_cDominic Smith.
260 _aCrows Nest, N.S.W. :
_bAllen & Unwin,
_c2016.
264 1 _aCrows Nest, NSW :
_bAllen & Unwin,
_c2016.
264 4 _c©2016.
300 _a374 pages ;
_c24 cm.
336 _atext
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_2rdacarrier
500 _aFormerly CIP.
_5Uk
520 _aIn The Last Painting of Sara de Vos, Australian writer Dominic Smith bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the Golden Age, an inheritor of the work in 1950s Manhattan, and a celebrated Australian art historian who painted a forgery of it in her youth. In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain: a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibition of female Dutch painters, and both versions threaten to arrive.
530 _aAlso issued online.
600 1 0 _aBaalbergen, Sarah van,
_d1607-approximately 1638
_vFiction.
_988260
600 1 7 _aBaalbergen, Sarah van,
_d1607- approximately 1638.
_2fast
_988261
600 1 0 _aBaalbergen, Sarah van,
_d1607- approximately 1638
_vFiction.
_988262
648 7 _a1600-1699
_2fast
_973856
650 0 _aWomen artists
_vFiction.
_91245
650 0 _aInterpersonal relations
_vFiction.
_91359
650 0 _aAustralian fiction.
_988263
650 4 _aBookclub collection.
_965991
650 4 _aDutch art.
_988264
650 4 _aManhattan (New York, N.Y.) - Fiction.
_988265
650 4 _aManhattan (New York, N.Y.)
_988266
650 4 _aArtists, Dutch.
_988267
650 4 _aForgery - Fiction.
_988268
650 4 _aFraud.
_972517
650 4 _aNetherlands - History - 17th century - Fiction.
_988269
650 4 _aPainting, Dutch - Fiction.
_988270
650 4 _aBaalbergen, Sarah van, 1607- approximately 1638 - Fiction.
_988271
650 4 _aNetherlands.
_988272
650 4 _aArtists.
_988273
650 7 _aPainting, Dutch.
_2fast
_988274
650 7 _aHistorical fiction.
_2fast
_9910
650 0 _aWomen artists
_zNetherlands
_vFiction.
_988275
650 7 _aWomen artists.
_2fast
_988276
650 0 _aArt forgeries
_vFiction.
_988277
650 0 _aHistorical fiction.
_9910
650 4 _aHistorical fiction.
_9910
650 0 _aPainting, Dutch
_y17th century
_vFiction.
_988278
650 7 _aArt
_xForgeries.
_2fast
_988279
650 7 _aArt historians.
_2fast
_988280
650 0 _aWomen painters
_zNetherlands
_vFiction.
_988281
650 0 _aArt museum curators
_vFiction.
_923626
650 0 _aArt
_xForgeries
_vFiction.
_915855
650 4 _aPainting.
_918413
650 0 _aArt historians
_vFiction.
_968460
651 7 _aNetherlands.
_2fast
_982441
655 7 _aHistorical fiction.
_2gsafd
_988282
655 7 _aFiction.
_2fast
_96586
655 7 _aHistorical fiction.
_2fast
_988282
655 4 _aHistorical fiction
_988282
655 7 _aBiographical fiction.
_2lcgft
_91738
655 7 _aFrame stories.
_2lcgft
_910749
655 7 _aHistorical fiction.
_2lcgft
_988282
776 0 8 _iebook version
_z9781925268638
942 _2ddc
_cAF
_03